![]() ![]() ![]() It is a very easy way to create a mask based on luminosity and indeed to manipulate that mask further using brushes. If not I can write a longer post with greyscale images to show what I mean. Using that “greyscale” image as a mask then allows you not only to adjust the lights and darks separate from the rest of the image, but allows you to revise the point where the lights and darks become mid tones than thus revise the LM itself to revise how much adjustment will take place. You will see light areas, dark areas and mid tones areas and if you adjust the color bands in PL to boost or reduce individual colors you can see how the B&W image changes. ![]() The best way to visualize this is to take a photo and convert it into black and white. In addition the ability to adjust only the lights or shadows can be adjusted in a LM to gather more or less of the adjusted area, and the adjustment is automatically feathered so there are no hard edges unless the user wants them. Something like this may be possible using the Nik stuff, but would require a different mask for each group of flowers, and hence a lot more work. For example, if you have a photo of some bright flowers in several clusters in a photo with a dark background a single LM will allow you to adjust all of them at the same time while not adjusting the dark background (or the exact reverse if you wish to do that). The whole idea behind Luminosity Masks is that you can mask the highlights or shadows for adjustment regardless of where they are in the image or how many locations are involved. The Nik stuff is nice, but I do not see how to use it for this type of work. I have found this type of adjustment to be very, very helpful, but I have to use Photoshop or Affinity Photo to create the masks and then do my adjustments in that editor, but recently most other workflow tools have added LM functionality to their basic set of adjustments so I was wondering if PhotoLab had any plans to add it as well. The changes you make are gradual and look more like the normal world. You can see how helpful that is by using the graduated filter in the PL Local Adjustments. In addition, a properly created Luminosity Mask changes from those parts of the image that are included to those that are not included gradually so generally there are no sharp edges to the mask and things look normal after an adjustment instead of there being a distinct border between light and dark. You do something like this when you adjust the Highlights, Shadows and Midtones in an image but the ability to create a Luminosity Mask usually also gives you the ability to adjust just how bright or shadowy the selected parts are, and sometimes which color you want a LM for. Luminosity Masking provides the ability to create a mask that contains only the brightest or least bright parts in an image, and so allows you to make adjustments to only those parts. Could you please explain the benefits of Luminosity MaskingĬertainly. ![]()
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